Let's face it.
We've all got that one character (or two... or three) who have somehow found a way into our story!
People think it's wrong. Or we're not imaginative enough. Well, here's something for those people: you're wrong.
I always tried to avoid having a character represent somebody because, well, everyone told me you just don't do it. I'm a glutton for following terrible advice.
I saw this little bit of advice given to someone today, and it bothered me. First off, there's no wrong or right way to write a novel. It either works or it doesn't. And if it doesn't, there's bound to be more than one fuck up in it.
So, back to the topic.
As a human being, you're naturally attached to people or things. There are moments and qualities that are irreplaceable in your heart, and that passion comes out in your work. That is nothing to be ashamed of.
One of my favorite characters, Tony Martini, started off exactly how I planned, but as time went on and situations not in the outline occurred, I found out that Tony Martini is a shiny replica of my daddy.
Not everything about him is the same, but the way he cares for people. The way he gives advice. The way he never gives up. The way places all the stress he can on his shoulders so others don't have to worry. He's my father, and I didn't plan it that way!
If you've come across something similar to mine, you'll realize you can't change it. You'll try, but it'll feel like a void. Something will forever be missing with that character.
Now, after having a character evolve into someone I know, if someone asked me if I'd write a character based on someone/something I knew, heck yes I would. And I have!
The dragon in my story has changed dramatically. Let's face it. I love my dragon, and he's not going anywhere. BUT he has to grow with the story, and the way he was, cannot be the way he has to be.
When I first started (his name was Twilly, short for Twilight... but after the book Twilight, I decided I'd have to rename him), Twilly was more of a mentor. Bryce was a young, scared kid at the time, and he needed someone who was confident. Someone to guide him. Twilly was that person.
When I decided to change who Bryce was from top to bottom, well, that meant I had to change Twilly. Twilly could no longer be what I had originally intended him to be.
It was heartbreaking. Really. I sat around for hours thinking of how I was going to make this work. I wasn't getting rid of my dragon dammit!
Then, he came in. The he that I would base my dragon around. Tall, dark, handsome.... what the hell am I saying. He wasn't any of those.
Standing a whole 12 inches tall with nothing but black fluff -- a tail wagging, mouth breather intruded my story.
Pookie.
For those of you who do not know, Pookie is my baby. My little pomeranian.
The only dog in the world I loveeee to hate. He pisses on everything. Bites too much. Wakes me up at 2 am wanting to play. 3 am wanting to play. 4 am wanting to play. 5 am wanting to go outside... to play. He drools. His bark is like a girlish squeal.
That's Pookie. The only bad dog I've ever owned. And the only dog I've ever considered my precious wittle baby.
So, my mentoring, wise dragon suddenly became a fourteen foot Pookie.
I have never, ever had so much fun in my life. So, to answer your question: is it okay to write create a character based around a person?Yes, and you'll be surprised how much fun you'll have with it!

Yes, that's my Pookie-nator. He could only stay still for one photo -.-
We've all got that one character (or two... or three) who have somehow found a way into our story!
People think it's wrong. Or we're not imaginative enough. Well, here's something for those people: you're wrong.
I always tried to avoid having a character represent somebody because, well, everyone told me you just don't do it. I'm a glutton for following terrible advice.
I saw this little bit of advice given to someone today, and it bothered me. First off, there's no wrong or right way to write a novel. It either works or it doesn't. And if it doesn't, there's bound to be more than one fuck up in it.
So, back to the topic.
As a human being, you're naturally attached to people or things. There are moments and qualities that are irreplaceable in your heart, and that passion comes out in your work. That is nothing to be ashamed of.
One of my favorite characters, Tony Martini, started off exactly how I planned, but as time went on and situations not in the outline occurred, I found out that Tony Martini is a shiny replica of my daddy.
Not everything about him is the same, but the way he cares for people. The way he gives advice. The way he never gives up. The way places all the stress he can on his shoulders so others don't have to worry. He's my father, and I didn't plan it that way!
If you've come across something similar to mine, you'll realize you can't change it. You'll try, but it'll feel like a void. Something will forever be missing with that character.
Now, after having a character evolve into someone I know, if someone asked me if I'd write a character based on someone/something I knew, heck yes I would. And I have!
The dragon in my story has changed dramatically. Let's face it. I love my dragon, and he's not going anywhere. BUT he has to grow with the story, and the way he was, cannot be the way he has to be.
When I first started (his name was Twilly, short for Twilight... but after the book Twilight, I decided I'd have to rename him), Twilly was more of a mentor. Bryce was a young, scared kid at the time, and he needed someone who was confident. Someone to guide him. Twilly was that person.
When I decided to change who Bryce was from top to bottom, well, that meant I had to change Twilly. Twilly could no longer be what I had originally intended him to be.
It was heartbreaking. Really. I sat around for hours thinking of how I was going to make this work. I wasn't getting rid of my dragon dammit!
Then, he came in. The he that I would base my dragon around. Tall, dark, handsome.... what the hell am I saying. He wasn't any of those.
Standing a whole 12 inches tall with nothing but black fluff -- a tail wagging, mouth breather intruded my story.
Pookie.
For those of you who do not know, Pookie is my baby. My little pomeranian.
The only dog in the world I loveeee to hate. He pisses on everything. Bites too much. Wakes me up at 2 am wanting to play. 3 am wanting to play. 4 am wanting to play. 5 am wanting to go outside... to play. He drools. His bark is like a girlish squeal.
HE HAS NO CLUE HOW TO CALM DOWN. IF HE WAS WRITING, IT WOULD ALWAYS BE IN CAPS!!!!!!!!!! WITH LOTS OF EXCLAMATION POINTS!!!!!!!!!!!!!!!!!!! AND A RANDOM "WEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!"
That's Pookie. The only bad dog I've ever owned. And the only dog I've ever considered my precious wittle baby.
So, my mentoring, wise dragon suddenly became a fourteen foot Pookie.
I have never, ever had so much fun in my life. So, to answer your question: is it okay to write create a character based around a person?Yes, and you'll be surprised how much fun you'll have with it!


Yes, that's my Pookie-nator. He could only stay still for one photo -.-
I am a YA Urban Fantasy writer. That's a big title.
Why YA?
Hi, my name is Alli. I'm apart of the Harry Potter generation. When I first started writing, I wanted to do what KA Applegate and JK Rowling did for me: give me the love to read. I think between video games and TV, we need to give the younger generations a reason to love reading.
Do you realize the generations under me will never, ever twirl their finger in the telephone cord? They've never had a corded phone! They won't use VCRs. They'll laugh when they see superman dressing in a phone booth (Oh mi gawd, what is that?!) They won't remember the AOL sign on sound. Heck, even the "you've got mail" sound.
Anyway, back to the topic. My story evolved from my original intent. But, I've still got a reason to write for the YA crowd. I love quick paced books. I'm not saying I'm a sucker for a 1,000 page novel, but YA books tend to have excitement on every single page. I love feeling like a pinball in a pinball machine.
The endings in YA seem a bit more fairy-taleish. Out of the last fourteen adult novels I've read, none of the endings were satisfying. I'm not sure what it is anymore, but it's like so many writers try and add a shock value at the very end. MC just died. The world exploded. The lovers separated and saw each other walking down the side walk, the end. I really don't get it. You write this entire story, just to say GOTCHA! at the end?
I'll be honest, it's stupid to see a great novel ruined because you thought you'd fish out a tear from my eye. One of my biggest pet peeves is a writer trying to force emotion, when it just isn't there. Write better. Don't use cheap tricks.
As for why I decided to write Urban Fantasy... that one is easier to answer.
I read to escape from my everyday life. Don't get me wrong, I've got a wonderful life, but let's face it, I don't fight dragons. I don't ride off into the sunset with a knight in shining armor. I can't blow my alarm clock up with a fireball in the morning.
When I read, I want to connect to the character. The further the timezone is, the less I can relate. So having a character from this day in age that is able to escape their everyday mundane life to find adventure and story-book love -- that holds a wonderful magic to it. At least it does to me.
There are many styles out there to write. I didn't know mine when I first started, but I'll tell you one thing: when you give it a go, you'll know. Don't get discouraged!
Why YA?
Hi, my name is Alli. I'm apart of the Harry Potter generation. When I first started writing, I wanted to do what KA Applegate and JK Rowling did for me: give me the love to read. I think between video games and TV, we need to give the younger generations a reason to love reading.
Anyway, back to the topic. My story evolved from my original intent. But, I've still got a reason to write for the YA crowd. I love quick paced books. I'm not saying I'm a sucker for a 1,000 page novel, but YA books tend to have excitement on every single page. I love feeling like a pinball in a pinball machine.
The endings in YA seem a bit more fairy-taleish. Out of the last fourteen adult novels I've read, none of the endings were satisfying. I'm not sure what it is anymore, but it's like so many writers try and add a shock value at the very end. MC just died. The world exploded. The lovers separated and saw each other walking down the side walk, the end. I really don't get it. You write this entire story, just to say GOTCHA! at the end?
I'll be honest, it's stupid to see a great novel ruined because you thought you'd fish out a tear from my eye. One of my biggest pet peeves is a writer trying to force emotion, when it just isn't there. Write better. Don't use cheap tricks.
As for why I decided to write Urban Fantasy... that one is easier to answer.
I read to escape from my everyday life. Don't get me wrong, I've got a wonderful life, but let's face it, I don't fight dragons. I don't ride off into the sunset with a knight in shining armor. I can't blow my alarm clock up with a fireball in the morning.
When I read, I want to connect to the character. The further the timezone is, the less I can relate. So having a character from this day in age that is able to escape their everyday mundane life to find adventure and story-book love -- that holds a wonderful magic to it. At least it does to me.
There are many styles out there to write. I didn't know mine when I first started, but I'll tell you one thing: when you give it a go, you'll know. Don't get discouraged!
More on romance!
Won't you be happy when I get off this? I can't help it. I've somewhat got writer's block. Not that I can't write, but nothing I've written has been good enough for Bryce and Sami. Nothing! So, I write. Erase. Start all over. Research. Look. Think of something. Write. Erase.
It's not a fun marry-go-round. So, in case you ever find yourself in this situation, I'm going to try and get something together to help! I took this from this thread.
Often, one character needs to choose between love and their career, or must find a creative way to obtain both!
Examples: Rhett Butler and Scarlet , Han Solo and Princess Leia
Sometimes the relationship is sweeter and involves a childhood promise. Many anime and romance manga comics feature childhood friends relationships.
Titanic comes to mind...
This probably works well for army stories.
confessing their love, or they don’t want to ruin their friendship or work partnership. They’re in love, and everyone else in the story realizes it except for them.
I’d say June and Johnny Cash are real life examples, Lois Lane and Superman, Fox Mulder and Dana Scully from XFiles
Ashley Wilkes and Melanie from Gone With the Wind
20. "Similarities Attract"
Characters act very much alike, causing both tension and infatuation… Indiana Jones and Marion Ravenwood (passion for archeaology and similar tempers)
Think Bonnie and Clyde, or various soap opera teams and super villains.
I see this in soap operas, TV dramas, and some YA (gossip girl) Usually involves betrayal, vengeance, dangerous characters, and life-threating situations...
However, something other than another love interest (kids, adventure situation, family drama) either them closer together or causes tension
Mr. and Mrs. Smith
Now they could be several of these categories, but I think ScotchBonnet hit the nail on the head whenever she pointed these out.
As for Bryce and Sami? Forbidden lovers, Rivals (My favorite romances always had the antag and protag loving/hating each other!), and of course: Love at first sight!
How the hell am I going to get these two to work out?
Not fair!
Won't you be happy when I get off this? I can't help it. I've somewhat got writer's block. Not that I can't write, but nothing I've written has been good enough for Bryce and Sami. Nothing! So, I write. Erase. Start all over. Research. Look. Think of something. Write. Erase.
It's not a fun marry-go-round. So, in case you ever find yourself in this situation, I'm going to try and get something together to help! I took this from this thread.
1. Love at First Sight
I guess this one describes the typical fairytale/standard romance. Think Disney, The Princess Bride, . Usually, the conflict seems to revolve around a quest or rescue mission. They fall in love fast, but some outside force is keeping them apart rather than tension within the couple. 2. “Oops!”
A strong-willed or career-minded character doesn’t intend to fall in love, and happens upon it by accident… with consequences that could destroy their dreams/career…undercover cop falls for a criminal, tabloid writer falls for subject of trashy interview, ect. (How of Lose a Man in 10 Days, Zoolander, Van Wilder movies)Often, one character needs to choose between love and their career, or must find a creative way to obtain both!
3. Forbidden Love/"Romeo and Juliet"
This one seems to fall into paranormal romance, human/vampire (Bella and Mr. Sparkles) Sometimes its as simple as simple as a high school jock infatuated with a "nerd" character, or an office relationship, notable age difference, even step-siblings. 4. Love/Hate
The characters start off disliking each other, and we all know what that means!Examples: Rhett Butler and Scarlet , Han Solo and Princess Leia
5. Childhood Friends
Characters have known each other since childhood. I think of Anne of Green Gables and Gilbert...(though it crosses into love/hate a bit :PSometimes the relationship is sweeter and involves a childhood promise. Many anime and romance manga comics feature childhood friends relationships.
6. Best Friends/ Friends First
The characters all ready know EVERYTHING about each other at the beginning of the story. However, something is keeping them from realizing their true feelings. Does anyone remember Dawson's Creek? 7. Rivals/ Protagonist vs. Antagonist
Sometimes this crosses into Love/Hate, sometimes not...I think of Xena and Ares from Xena: Warrior Princess, or if a protagonist character falls for the bad guy/girl. 8. Love Triangle
Pearl Harbor (bleh), Twilight (the whole Bella/Edward/Jacob deal). The main character has to choose between two suitors. 9. "Sorry, I'm Taken"
Usually, this one involves a couple that seems perfect for each other, but one of the subjects already has a nasty/ boyfriend or girlfriend or spouse they can't let go of...Titanic comes to mind...
10. "In Disguise"
Shakespeare came up with it first (though he came up with most romance tropes, didnt he?) Think of "Twelfth Night" which inspired a variety of movies and books in which a girl character is in disguise as a boy,causing quite the confusion situation for the male love interest! I recommend a fantastic Asian drama called "Coffee Prince" for this one. The "disguise" situation could also happen for "undercover" characters like detectives, reporters, ect. 11. “Different Worlds”
Not necessarily forbidden, but this couple struggles with bridging the gap between their two worlds, sometimes causing friction when they don’t understand each other. The different "world" could be literal in fantasy and sci-fi, or could deal with "real world" issues such as class, race, religion, ect. I'm thinking of Pride and Prejudice, Ask the Dusk, or even funny movies like “My Big Fat Greek Wedding”. 12. “ Second time around”
Two lovers who already knew each other (and lost contact or broke up) prior to the beginning of the story, meet again and the sparks fly... 13. “Tragic Past”
I see this on so many crime shows/shows geared towards men. Two characters click well, but one character cannot get over the tragic past of losing a loved one, ect. Usually one of the subjects lost a lover or spouse who died years before meeting their love interest. 14. "Long Distance Relationship"
One character is captured, goes away to war, college, and the chemistry between them is shown through letters or phone calls, leaving readers in anticipation of their reunion. Sometimes they are tested by temptation or other forces trying to tear them apart...This probably works well for army stories.
15. “The Unobtainable Love Interest/ 1-sided”
Usually, one character immediately knows who they want and why they want them...but the other character doesn't seem interested, or has a secret reason for not expressing their interest. I find this love trope common in YA-usually concerning popularity or self esteem issues. Peter Parker and Mary Jane come to mind. 16. “Lovers in Denial”
Borders on love/hate where the characters tease each other, but in a more respectful playful way. They are often good friends at some point in the story, and get in general conflicts and playful arguments but don’t dislike each other, and often have respect for each other. Usually, one or both characters have a pride issue that keeps them fromconfessing their love, or they don’t want to ruin their friendship or work partnership. They’re in love, and everyone else in the story realizes it except for them.
I’d say June and Johnny Cash are real life examples, Lois Lane and Superman, Fox Mulder and Dana Scully from XFiles
17. “Passionate Lovers”
I see this in soap operas, dramas, and genre romance...revolves mostly around intense physical attraction/lust at first and sometimes develops into something more... 18. “Sweethearts Forever?”
Lovers that just click, seem sugary sweet, and almost too perfect for each other, usually one or both is/are hiding something…Ashley Wilkes and Melanie from Gone With the Wind
19. "Opposites Attract"
Two different characters click and deal with each others differences at the same time… usually I see this expressed in YA-between an introvert character and extrovert character. If you've seen the musical, "Wicked", think of Elphaba and Fiyero.20. "Similarities Attract"
Characters act very much alike, causing both tension and infatuation… Indiana Jones and Marion Ravenwood (passion for archeaology and similar tempers)
21. "Partners in Crime"
Two characters who work as a “bad guy” team…often do malicious things to those who get in their way, but are actually a loyal and devoted couple.Think Bonnie and Clyde, or various soap opera teams and super villains.
22. “Dangerous Drama”
Passionate, twisted, intense..yet they always come back to each other... even though the couple needs therapy and the characters have done some pretty nasty things ranging from mind games to physical abuse (yikes!)yet there's something about these relationships that keeps viewers or readers waiting for more...I see this in soap operas, TV dramas, and some YA (gossip girl) Usually involves betrayal, vengeance, dangerous characters, and life-threating situations...
23. “Arranged Marriage/Date”
Two characters are set-up and forced to be together by politics or family pressure, sometimes crossing into other love/hate, love at first sight...Did anyone see "The Fantastics" when the parents secretly set-up their children? ((Great musical!)) 24. First Love
Usually a YA trope...the ups and downs of first love...the subjects need to figure out how to handle a relationship while trying to discover their own identities at the same time. I'm thinking of the classic 80's movie, "Say Anything". 25. Long-term lovers
The couple has already been together for awhile, sometimes married!However, something other than another love interest (kids, adventure situation, family drama) either them closer together or causes tension
Mr. and Mrs. Smith
Now they could be several of these categories, but I think ScotchBonnet hit the nail on the head whenever she pointed these out.
As for Bryce and Sami? Forbidden lovers, Rivals (My favorite romances always had the antag and protag loving/hating each other!), and of course: Love at first sight!
How the hell am I going to get these two to work out?
Not fair!
This is dedicated to all of those fantasy and sci-fi writers out there.
What makes you decide what monsters make up your world?
Mine was pretty simple to figure out. Because it was based on so many religions, I had to stay true to those religions. Of course there are angels, devils/demons, fallen angels (which is different from a demon/devil in my book, Djinn (Muslim version of a demon). Those were the major races, but when I first started the story, I wanted more than just that. I wanted a real fantasy feel to it, because, well, I love fantasy. One way that I incorporated a fantastical feel is by giving the warriors "gifts" which are supposedly from different Gods. The first four were easy for me: a dragon (because I love dragons!), a leviathan (has a very Christian/Jewish feel to it), a phoenix (kinda like a dragon -- just love the damn creature), and I wanted a pegasus type horse. The last one I knew I wanted to deal with Egypt, but it took me a while to chose between an Anubinite and a sphinx. The first book dealt with the Anubinite, but while making revisions I decided to change to the sphinx.
Now outside of the gifts, there isn't much outside the angels/demons theme. You won't see a leprechaun pop up. You won't see fairies or mermaids.
So, if you're just starting out, and you're wondering -- where do I start?
Sit back. Close your eyes. Picture either your character or your world. Now imagine what can NOT fit. Get those out of your head, and start filling it with things that do. Nymphs? Talking trees? Winged horses? Gryphons? Maybe something else, something that's never been told of before. Start writing them down while keeping your eyes closed. Just make notes. Fill it up until you've got a bursting city or a raging war. From there, you can set rules of the land. You can set disputes between races. You can see how sexism plays a part in your world. You can see how your character is treated and what makes him/her special and different.
Having different races is more than just having a different race. It's about stepping into a book and seeing real characters that you adore even if it's a fluttering fairy or fire breathing dragon. It's about being able to do what no one else can, and most of all, it's about taking your imagination go for a joy ride.
Even if you do have something common, like I do, make sure you add some sense of wonder to it. You want to love this world if you're going to write it. Make it everything you've ever dreamed of.
Goodluck!
What makes you decide what monsters make up your world?
Mine was pretty simple to figure out. Because it was based on so many religions, I had to stay true to those religions. Of course there are angels, devils/demons, fallen angels (which is different from a demon/devil in my book, Djinn (Muslim version of a demon). Those were the major races, but when I first started the story, I wanted more than just that. I wanted a real fantasy feel to it, because, well, I love fantasy. One way that I incorporated a fantastical feel is by giving the warriors "gifts" which are supposedly from different Gods. The first four were easy for me: a dragon (because I love dragons!), a leviathan (has a very Christian/Jewish feel to it), a phoenix (kinda like a dragon -- just love the damn creature), and I wanted a pegasus type horse. The last one I knew I wanted to deal with Egypt, but it took me a while to chose between an Anubinite and a sphinx. The first book dealt with the Anubinite, but while making revisions I decided to change to the sphinx.
Now outside of the gifts, there isn't much outside the angels/demons theme. You won't see a leprechaun pop up. You won't see fairies or mermaids.
So, if you're just starting out, and you're wondering -- where do I start?
Sit back. Close your eyes. Picture either your character or your world. Now imagine what can NOT fit. Get those out of your head, and start filling it with things that do. Nymphs? Talking trees? Winged horses? Gryphons? Maybe something else, something that's never been told of before. Start writing them down while keeping your eyes closed. Just make notes. Fill it up until you've got a bursting city or a raging war. From there, you can set rules of the land. You can set disputes between races. You can see how sexism plays a part in your world. You can see how your character is treated and what makes him/her special and different.
Having different races is more than just having a different race. It's about stepping into a book and seeing real characters that you adore even if it's a fluttering fairy or fire breathing dragon. It's about being able to do what no one else can, and most of all, it's about taking your imagination go for a joy ride.
Even if you do have something common, like I do, make sure you add some sense of wonder to it. You want to love this world if you're going to write it. Make it everything you've ever dreamed of.
Goodluck!
As I said in one of my previous entries, I don't do romance. I love to read romance, but I've always felt silly writing it.
Not to mention I've got a huge pet peeve when it comes to authors mistaking lust for love. Sure, there's a fine line, but after most romance books (or subplots for that matter) I rarely think the people will live for and love each other for the rest of their years. "Love" in most books feel shallow.
Since it's a pet peeve, obviously I don't want to do it. So I've been bothered by how Bryce and Sami will fall in love without making it feel like shallow lust, especially since Bryce is the epitome of shallow.
But something happened last night that opened my eyes.
You can have a strong physical attraction to someone, but it not be -the- thing that makes you different from every other man or woman.
There's something to love about everyone in the world. Every single person has admirable characteristics. But I'm starting to think there is only one. There's only one person that walks to the same beating drum. There's only one person who's mind is in the exact same place as yours. Age doesn't determine it. Gender doesn't. Lust and physical attraction doesn't. It's simply a freak-of-nature incident that has molded two people of completely different backgrounds to have the same unshakable beliefs, clever opinions, sunny sense of humor, and common wants/goals.
Even though I've always nailed myself as a hopeless romantic, in the world today, you've got to have a realist view on love.
When I was little, my stepdad used to tell me the same thing after a break up. "There are millions upon millions of people in the world, and out of those millions, there are thousands of people that you could love and would love you equally in return." Don't get me wrong, the advice is completely spot on. But because I believed in what he said so much, I had an idea branch off of it: there's something to love about everyone, but "the one" will be someone that you will accept the worst of and still love him/her unconditionally.
But I've changed my mind.
You really do have one. And it isn't just some hot babe. It isn't just going to be lust. He's going to want the same things out of life as you do. He's going to believe like you do. He's going share the same opinions as you, and not only accept your opinions and what you believe in -- but love each one of them.
I've "loved" a lot of people in my lifetime. All for different reasons. All in different ways. But once you meet that one, even if it's only for a little bit, you realize the relationships before hand were great, but they weren't perfect. They weren't "the one".
So, now that I've gone off on a completely romantic tangent. My eyes have been opened. A shallow womanizer can be turned into a fierce lover, and I intend on doing exactly that. I'll write more once I have it mapped out. Ahh outlines!
Not to mention I've got a huge pet peeve when it comes to authors mistaking lust for love. Sure, there's a fine line, but after most romance books (or subplots for that matter) I rarely think the people will live for and love each other for the rest of their years. "Love" in most books feel shallow.
Since it's a pet peeve, obviously I don't want to do it. So I've been bothered by how Bryce and Sami will fall in love without making it feel like shallow lust, especially since Bryce is the epitome of shallow.
But something happened last night that opened my eyes.
You can have a strong physical attraction to someone, but it not be -the- thing that makes you different from every other man or woman.
There's something to love about everyone in the world. Every single person has admirable characteristics. But I'm starting to think there is only one. There's only one person that walks to the same beating drum. There's only one person who's mind is in the exact same place as yours. Age doesn't determine it. Gender doesn't. Lust and physical attraction doesn't. It's simply a freak-of-nature incident that has molded two people of completely different backgrounds to have the same unshakable beliefs, clever opinions, sunny sense of humor, and common wants/goals.
Even though I've always nailed myself as a hopeless romantic, in the world today, you've got to have a realist view on love.
When I was little, my stepdad used to tell me the same thing after a break up. "There are millions upon millions of people in the world, and out of those millions, there are thousands of people that you could love and would love you equally in return." Don't get me wrong, the advice is completely spot on. But because I believed in what he said so much, I had an idea branch off of it: there's something to love about everyone, but "the one" will be someone that you will accept the worst of and still love him/her unconditionally.
But I've changed my mind.
You really do have one. And it isn't just some hot babe. It isn't just going to be lust. He's going to want the same things out of life as you do. He's going to believe like you do. He's going share the same opinions as you, and not only accept your opinions and what you believe in -- but love each one of them.
I've "loved" a lot of people in my lifetime. All for different reasons. All in different ways. But once you meet that one, even if it's only for a little bit, you realize the relationships before hand were great, but they weren't perfect. They weren't "the one".
So, now that I've gone off on a completely romantic tangent. My eyes have been opened. A shallow womanizer can be turned into a fierce lover, and I intend on doing exactly that. I'll write more once I have it mapped out. Ahh outlines!
So most of my ideas on what to post about on my blog come from either an agent's blog or Absolute Write Water Cooler. I try and answer as many questions as possible, because you see the same questions over and over and over and over. I figured if I could just answer them here, I'll always have a link to provide without repeating myself.
While I haven't seen too many amazing topics lately, one definitely caught my eye.
Question: Ever have an idea that you couldn't write before, but you feel like you can now?
Personally, I've grown an unbelievable amount in my writing. BUT (yes, there's a but here), there will always be the "idea that got away".
Something you may not know about me is that I am an omega-history buff. I love ancient civilizations. I love mythology. So, my first idea ever (I was fifteen or sixteen at the time) was about a soothsayer time traveling, and whenever he came back to his era -- time literally collapsed. All of the greatest ancient civilizations suddenly were overlapping. There were hundreds of different directions the story could go, and I felt completely overwhelmed by it. Honestly, regardless of how I've grown as a writer, I'm not sure I could ever conquer that project. =P
While I haven't seen too many amazing topics lately, one definitely caught my eye.
Question: Ever have an idea that you couldn't write before, but you feel like you can now?
Personally, I've grown an unbelievable amount in my writing. BUT (yes, there's a but here), there will always be the "idea that got away".
Something you may not know about me is that I am an omega-history buff. I love ancient civilizations. I love mythology. So, my first idea ever (I was fifteen or sixteen at the time) was about a soothsayer time traveling, and whenever he came back to his era -- time literally collapsed. All of the greatest ancient civilizations suddenly were overlapping. There were hundreds of different directions the story could go, and I felt completely overwhelmed by it. Honestly, regardless of how I've grown as a writer, I'm not sure I could ever conquer that project. =P
So, life's been crazy, and no -- that's no excuse to neglect my poor baby blog. Sorry!
Between tax season, a vacation, weeks upon weeks of catch-up work after the vacation, and a couple other interesting things -- I've had my hands tied behind my back.
I'm not the strictest writer in the world. I'm really hard on myself about the quality of writing, but as for keeping a set schedule, I just don't do it. I write when I want to, and I'm so in love and so involved with my story that it's always come easy. To keep this easy, I have one simple rule:
Before you stop, finish the chapter you started.
I broke that rule for the first time, and after being gone from my precious manuscript for two months, I'm kicking myself in the ass.
I turn on my laptop, read what I've written, and eagerly started to write. But I can't remember *exactly* where I was going with this scene. I know where it needs to end up. So I try and make it work. Re-read it. Delete. This has happened to me a whole three times now, and honestly, it's getting frustrating.
I'm going to get through it though. Writing challenges you in so many different ways. No matter what situation you're dealing with, there's only one answer to solve it: determination. Don't let anything stop you. You deserve to trip over your plot holes. You deserve to question your character's depth. You deserve to want to claw your eyes out after the third time editing. You deserve the seconds that turn into years whenever you send your query out. You deserve your heart banging against your chest when you are waiting for a publisher's response.
Why?
Because by god, after every step you've taken so far, you deserve it. As do I. So bastard chapter that won't let me continue, be warned. I'm going to get past you.
Between tax season, a vacation, weeks upon weeks of catch-up work after the vacation, and a couple other interesting things -- I've had my hands tied behind my back.
I'm not the strictest writer in the world. I'm really hard on myself about the quality of writing, but as for keeping a set schedule, I just don't do it. I write when I want to, and I'm so in love and so involved with my story that it's always come easy. To keep this easy, I have one simple rule:
Before you stop, finish the chapter you started.
I broke that rule for the first time, and after being gone from my precious manuscript for two months, I'm kicking myself in the ass.
I turn on my laptop, read what I've written, and eagerly started to write. But I can't remember *exactly* where I was going with this scene. I know where it needs to end up. So I try and make it work. Re-read it. Delete. This has happened to me a whole three times now, and honestly, it's getting frustrating.
I'm going to get through it though. Writing challenges you in so many different ways. No matter what situation you're dealing with, there's only one answer to solve it: determination. Don't let anything stop you. You deserve to trip over your plot holes. You deserve to question your character's depth. You deserve to want to claw your eyes out after the third time editing. You deserve the seconds that turn into years whenever you send your query out. You deserve your heart banging against your chest when you are waiting for a publisher's response.
Why?
Because by god, after every step you've taken so far, you deserve it. As do I. So bastard chapter that won't let me continue, be warned. I'm going to get past you.
Now it's no secret that I don't do romance. I like blood, religious undertones, dragons, swords, magic -- everything that doesn't scream contemporary romance.
So doing the romance is making me think more than any other element of my book. We have Bryce Bourbon. He's a womanizing prick. We all know the type. The one we watch on the other side of the bar and roll our eyes at; in fact, I don't even know what bothers me more, the guy being that arrogant or the girl giggling with each lying, flattering word that spews out of his mouth.
Womanizing pricks go after the gullible or the slutty. So how exactly am I supposed to make my little Brycey Pooh fall in love? And I'm talking about real love.
There's lots to consider.
How does he treat this girl different than the other twenty bimbos he's slept with?
Does the girl start off being a superior, an equal, or someone that Bryce feels the need to save?
How does she act to demand his respect? How does she catch his eye? What makes her instantly better?
Will it be love at first sight? Love in denial where they won't actually "hook up" until the very end of the book? A friendship that blossoms into love?
While I don't write romance, I'm quite the romantic thinker, and I love anything that has to do with love at first sight. I love love that is out of control. But, I like love to feel as if it's going to last forever -- not just some freak obsession. Let's face it -- there's a really fine line between some undeniable love at first sight and a freak obsession.
Aside from trying to feel out that particular fine line, I also have to think about what is keeping the two from riding off on a white horse? Let's say it's love at first sight. It's undeniable. She turned this womanizing prick into a lifetime partner. What keeps them apart?
This is one of those times where I can't just do what I want. I can't just write what I want. I have to do what's true to the characters. No love at first sight for Bryce.
Ever been in this situation? How did it work out for you?
So doing the romance is making me think more than any other element of my book. We have Bryce Bourbon. He's a womanizing prick. We all know the type. The one we watch on the other side of the bar and roll our eyes at; in fact, I don't even know what bothers me more, the guy being that arrogant or the girl giggling with each lying, flattering word that spews out of his mouth.
Womanizing pricks go after the gullible or the slutty. So how exactly am I supposed to make my little Brycey Pooh fall in love? And I'm talking about real love.
There's lots to consider.
How does he treat this girl different than the other twenty bimbos he's slept with?
Does the girl start off being a superior, an equal, or someone that Bryce feels the need to save?
How does she act to demand his respect? How does she catch his eye? What makes her instantly better?
Will it be love at first sight? Love in denial where they won't actually "hook up" until the very end of the book? A friendship that blossoms into love?
While I don't write romance, I'm quite the romantic thinker, and I love anything that has to do with love at first sight. I love love that is out of control. But, I like love to feel as if it's going to last forever -- not just some freak obsession. Let's face it -- there's a really fine line between some undeniable love at first sight and a freak obsession.
Aside from trying to feel out that particular fine line, I also have to think about what is keeping the two from riding off on a white horse? Let's say it's love at first sight. It's undeniable. She turned this womanizing prick into a lifetime partner. What keeps them apart?
This is one of those times where I can't just do what I want. I can't just write what I want. I have to do what's true to the characters. No love at first sight for Bryce.
Ever been in this situation? How did it work out for you?
My second Teaser Tuesday! This is the first part of the second chapter, right after Gabe's mother and father are killed. First Teaser Tuesday is here!
I couldn’t begin to explain the pain in my chest. Not because of the wounds from the bullets, but from my mother and father’s death. Old people talk about regret all of the time. I wonder if they ever told their mother to fuck off twenty minutes before she died. I wonder if they ever stood there weak as an infant while both parents were shot to death.
I wonder if they would do what I did. Run. Hide. Take the easy way out? Regret did have a positive, though. Nothing is final until you’re dead. Not a damn thing.
I never looked up to my father like every other American boy does. I resented him. Once upon a time, he was the American father. He taught me how to throw a baseball, catch a foot ball, and shoot a basketball. Then he changed. His easy going life as a salesperson wasn’t enough. He had to open a business and work close to fifteen hours a day.
His death hit me harder than my mother’s. I was surprised by that fact. I guess regret makes you do some pretty crazy things. Perhaps it wasn’t just his fault that things changed between us. Maybe I forced him to give up trying. Actually, there was no maybe about it.
I was fourteen years old when I overdosed on cocaine. That’s right. Fourteen. Numerous things happen when you get into that particular situation. You get high blood pressure; heart problems cause internal bleeding, and then the convulsions which cut off the air supply start. There are lucky idiots that don’t have all of that happen to them.
I wasn’t considered lucky, though. After my breathing had completely stopped, I was considered dead by the time the EMTs got me to the emergency room. Everyone around me ignored the science behind my saving. They called it a miracle. After the biggest trip of my life, I called it fun.
That was then. This was now. Pain electrocuted me with every breath I sucked in. I guess multiple bullets through your torso would do that. I didn’t call this fun. And I didn't give all the credit to science either. I didn’t have the nerve to lie to myself. Or the morphine. I’d call this a miracle.
I've done some Teaser Tuesdays before, but I've dramatically changed my manuscript since. So. Here I am, with a Teaser Tuesday. This is the end of my first chapter. It's the first time Gabe has met the devil, and after their not so nice introduction, she (the bleach blonde devil) stops by Gabe's house. While this is going on, his body is literally disintegrating before his eyes. A mysterious voice is warning him, and the devil is trying to take the only two people Gabe loves.
She aimed the gun for my parents’ legs first. Simultaneously the two hit the floor, knee first. Blood splattered across the stainless steel refrigerator. My jaw quivered as I felt the bitch’s eyes on me. The screams were blurred out. The whisper came once more to me.
“Let me take you, before you have to see," the Asian said.
“I – I can’t leave them!” I yelled aloud. My muscles were finally able to move under my command. Before my first step hit the floor, the gun’s shot rang in my head. Fear halted my entire body, I knew what that last bullet meant as my mother’s deafening scream was suddenly silenced. I saw the perfectly round bullet hole in the middle of her forehead before her limp body crashed into the floor.
My father began to mumble uncontrollably. I couldn’t make out if he was mourning or praying, but what I could make out was the feel of cold metal as my hand pushed the gun out of the way. The bullet sounded, but before I could look to see if I was the least bit successful, the blonde woman hit me in the nose with the hilt of the gun. I ignored the blood. I ignored the pain. My eyes simply fell heavy on my father.
The bullet had been shoved off of its path. What would have been a quick clean death, like my mother’s, turned into a painfully gruesome death. I had pushed the gun out of the way, only to make things worse.
The hole was to the left side of his throat. The sounds of gargling blood churned my stomach. I watched my father die – helplessly. “Let me take you,” the whispering woman said once more.
“Anything you want,” I whispered back. The cold metal forced my fingers to flinch while a tear trailed down my cheek.
“You can either make him suffer and try to save the dead man, or you can make his death quick and painless,” the blonde said coldly as she handed me her gun. “There’s only one bullet left.”
Acid began to burn my flesh. Shit. I looked down at the flaking skin. Not now. Don’t take me yet. I focused back onto my objective. My father withered in pain. He had lost too much blood. He would die one way or the other. I closed my eyes for just a second. I turned the gun from his body to hers. I would rather take revenge than attempt to stop fate.